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Chaos Theory presents a night of heavy noise, math metal, avant-jazz, electronica, hardcore and all round incredible musicianship!

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MoRkObOt

A completely perplexing trio from Italy, who’ve been going for twelve years. Their insane manic sounds, coupled with supremely tight musicianship, makes sure that audiences are blasted with an experience unlike any other.

Their dual-bass low-end sound shakes off any notion of sterile technicality, yet they still manage to deliver a perfect sound of interlocking slides, slams and slippery beats.

Listen to their latest album ‘GoRgO’ and come to witness this tornado of malicious psychedelia.

“Somewhere in the vortex of molten bass and schizophrenic time-signatures there’s a solid groove at play.” – The Skinny

“An effervescent cocktail of metal heaviosity, befuddling complexity and giddy punk intensity.” – Echoes And Dust

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Sh*twife

One of the most technically proficient bands ever to grace the stink of London. With the immense electronic prowess of producer Wayne Adams (Bear Bites Horse Studio, Death Pedals) and the driving intricate beats of Henri Grimes, one of the best drummers we’ve ever witnessed, Sh*twife build up noisey hardcore sounds that are awesome to dance to and awesome to stand there slack-jawwed and watch.

We’ve followed them around DIY parties in London for ages, and can’t wait to hear more bangers by these understated audionuts.

“The reward here – and Sh*twife’s ultimate sell – is hearing rock instrumentation grind against synthetic noises in a sweaty, twisted duel.” – Resident Advisor

“A dark visceral sound that gathers together the rage of Atari Teenage Riot, and the ferocity of Motorhead all fed through a laptop stuck on the ‘Gabba’ setting.” – Louder Than War Magazine

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Warren Schoenbright

A three piece experimental noise band who’ve been skulking through London’s murky underbelly for several years.

The release of their fifth EP ‘Subtropical’, which is the band’s first on Hominid Sounds, charts a new, heavier and more dense sonic direction. The introduction of spoken word offers a non linear narrative to the textural strata created by electronic samples, bass guitar and live drums. ‘Subtropical’ beckons one into a dark, distorted, swarming nowhere place.

“A deeply textural live experience” – Ave Noctum

“A beautifully minimalist atmosphere through their use of delicate electronics that were punctuated with bursts of fury.” – UK Scumscene